An aria from I Pagliacci - an opera in two acts by Ruggero Leoncavallo. A live performance by Pradichaya Poonyarit
Qual fiamma avea nel guardo!
Gli occhi abbassai per tema
Ch'ei leggesse il mio pensier segreto!
Oh! s'ei mi sorprendesse...
Brutale come egli e!
Ma basti, orvia.
Son questi sogni paurosi e fole!
O che bel sole di mezz'agosto!
Io son piena di vita,
E, tutta illanguidita per arcano desio,
Non so che bramo!
liberamente lanciati a vol,
a vol come frecce, gli augel.
Disfidano le nubi e sol cocente,
e vanno, e vanno per le vie del ciel.
Lasciateli vagar per l'atmosfera
questi assetati d'azzurro e di splendor;
seguono anch'essai un sogno, una chimera,
e vanno, e vanno fra le nubi d'or.
Che incalzi il vento e latri la tempesta,
con l'ali aperte san tutto sfidar;
la pioggia, I lampi, nulla mai li arresta,
e vanno, e vanno, sugli abissi e il mar.
Vanno laggiù verso un paese strano
che sognan forse e che cercano invan.
Ma I boëmi del ciel seguon l'arcano
poter che il sospinge...e van...
E van! e van! e van!
What fire he had in his look. I lowered my eyes for fear that he could read my secret thoughts! Oh, if he were to surprise me….brutal as he is. But enough of those thoughts – away with them. These are just frightening dreams and fables. Oh, what beautiful sunshine in the middle of August! I’m full of life, and, all languished by my hidden desire, I don’t know what I crave.
Oh, what a flight of birds and how they cry! What are they asking? Where are they going? Who knows! My mother who told of good fortune understood their song and sang it to me as a child.
Squeaking up in the sky, freely launched in flight, the birds fly like arrows. They challenge the clouds and the scorching sun and go through the streets of the sky. Let them roam up in the atmosphere, they that thirst for blue skies and splendor. They also follow their dreams and their daydreams and so they go through the clouds of gold.
They that rage against the wind and the storms, with open wings they defy everything. The rain and the lightning, nothing will ever stop them and they go over the abysses and the seas. They go into a foreign land, perhaps they dream and search in vain. But they are the Bohemians of the sky, following the mysterious power that drives them… and go, and go, and go!
Source: Finding Nedda
I Pagliacci s an opera in two acts by composer Ruggero Leoncavallo.
Place: Calabria, near Montalto, on the Feast of the Assumption.
Time: between 1865 and 1870.
During the overture, the curtain rises. From behind a second curtain, Tonio, dressed as his commedia character Taddeo, addresses the audience (Si può?... Si può?... Signore! Signori! ... Un nido di memorie). He reminds the audience that actors have feelings too, and that the show is about real people.
At three o'clock in the afternoon, the commedia troupe enters the village to the cheering of the villagers. Canio describes the night's performance: the troubles of Pagliaccio. He says the play will begin at "ventitré ore", an agricultural method of time-keeping that means the play will begin an hour before sunset.[note 3] As Nedda steps down from the cart, Tonio offers his hand, but Canio pushes him aside and helps her down himself. The villagers suggest drinking at the tavern. Canio and Beppe accept, but Tonio stays behind. The villagers tease Canio that Tonio is planning an affair with Nedda. Canio warns everyone that while he may act the foolish husband in the play, in real life he will not tolerate other men making advances to Nedda. Shocked, a villager asks if Canio really suspects her. He says no, and sweetly kisses her on the forehead. As the church bells ring vespers, he and Beppe leave for the tavern, leaving Nedda alone.
Nedda is frightened by Canio's vehemence (Qual fiamma avea nel guardo), but the birdsong comforts her (Stridono lassù). Tonio returns and confesses his love for her, but she laughs. Enraged, Tonio grabs Nedda, but she takes a whip, strikes him and drives him off. Silvio, who is Nedda's lover, comes from the tavern, where he has left Canio and Beppe drinking. He asks Nedda to elope with him after the performance and, though she is afraid, she agrees. Tonio, who has been eavesdropping, leaves to inform Canio so that he might catch Silvio and Nedda together. Canio and Tonio return and, as Silvio escapes, Nedda calls after him, "I will always be yours!"
Canio chases Silvio, but does not catch him and does not see his face. He demands that Nedda tell him the name of her lover, but she refuses. He threatens her with a knife, but Beppe disarms him. Beppe insists that they prepare for the performance. Tonio tells Canio that her lover will give himself away at the play. Canio is left alone to put on his costume and prepares to laugh (the famous Vesti la giubba – "Put on the costume").
As the crowd arrives, Nedda, costumed as Colombina, collects their money. She whispers a warning to Silvio, and the crowd cheers as the play begins.
Colombina's husband Pagliaccio has gone away until morning, and Taddeo is at the market. She anxiously awaits her lover Arlecchino, who comes to serenade her from beneath her window. Taddeo returns and confesses his love, but she mocks him. She lets Arlecchino in through the window. He boxes Taddeo's ears and kicks him out of the room, and the audience laughs.
Arlecchino and Colombina dine, and he gives her a sleeping potion to use later. When Pagliaccio returns, Colombina will drug him and elope with Arlecchino. Taddeo bursts in, warning that Pagliaccio is suspicious of his wife and is about to return. As Arlecchino escapes through the window, Colombina tells him, "I will always be yours!"
As Canio enters, he hears Nedda and exclaims "Name of God! Those same words!" He tries to continue the play, but loses control and demands to know her lover's name. Nedda, hoping to keep to the performance, calls Canio by his stage name "Pagliaccio," to remind him of the audience's presence. He answers with his arietta: No! Pagliaccio non son! He sings that if his face is pale, it is not from the stage makeup but from the shame she has brought him. The crowd, impressed by his emotional performance, which they do not realize is real, cheers him.
Nedda, trying to continue the play, admits that she has been visited by the innocent Arlecchino. Canio, furious and forgetting the play, demands the name of her lover. Nedda swears she will never tell him, and it becomes apparent that they are not acting. Silvio begins to fight his way toward the stage. Canio, grabbing a knife from the table, stabs Nedda. As she dies, she calls: "Help! Silvio!". Silvio attacks Canio, but Canio kills Silvio also. The horrified audience then hears the celebrated final line:
La commedia è finita! – "The comedy is finished!"